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Loch Lomond

Loch Lomond Distillery

Region: Western Highland

Owner: Loch Lomond Group

Founded: 1965

 

The Loch Lomond distillery certainly doesn’t subscribe to the first Goodrum Law of Whisky. It is by no means a pretty distillery; in fact, it resembles a tin shack on an industrial estate in Alexandria near Loch Lomond. Now, I’m not saying that the distillery makes a rough old industrial style spirit, although some bottlings have been a little hard work. I suppose the best term to describe the distillery is idiosyncratic.

 

The idiosyncrasies start in the washbacks where the distillery has been using wine yeast for around a decade. The aim of this is to produce a spirit that has a citric lift and floral character. Whatever the distillery manage that is a difficult thing to say as their end spirit is, surprise, surprise…. idiosyncratic, but we’ll get on to that later. The next bit of weirdness comes in the still room, where there are the original pair of Lomond stills, which are a sort of hybrid pot/ column still, where the swan neck has been replaced by a rectifying column (see Glen Craig for further details), a pair of traditional pot stills which were fitted in 1998 and a further two pair of larger Lomond stills which are replicas of the original stills and were fitted in 1990 and 2016. Finally, there is one Coffey still used for continuous distillation, which was installed in 2007.

 

One could argue that the distillery is the modern take on the 1950’s fashion for the self sufficient distillery, such as Dumbarton/ Inverleven, where malt distilleries were constructed with the walls of the giant grain distilleries, however at Loch Lomond a grain distillery was built inside the malt distillery in 1993 when a pair of column stills for the explicit purpose of making grain spirit were installed. Like I said, Loch Lomond is certainly not a conventional distillery.

 

The distillery primarily uses unpeated barley for its malt production but for two weeks of the year it uses malted barley peated to 25PPM and for three weeks 50PPM. Thus, given this set up of stills and peating levels the distillery can and has produced a number of different distillates, each with its own name and role in the company’s portfolio of single malts and blended whiskies. Firstly, there is the eponymous Loch Lomond spirit (unpeated) and two other distillates called Inchmurrin (unpeated) and Inchmoan (light/ moderate peat) which are bottled in the distilleries ‘Islands’ collection.

 

There are four distillates that are currently used for blending but did appear as distillery bottlings in a short lived range released between 2005 and 2007 called ”Distillery Select’ – Glen Douglass (unpeated), Craiglodge (medium peated), Inchfad (medium to heavy peat) and Croftengea (heavily peated). There is Glengarry which is both a blend and a single malt brand and finally the grain spirit which is produced in the continuous stills.

 

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Last, but not least, there is also a distillate called Old Rhosdhu, which was an unpeated single malt but now is the name used for the 100% malted barley mash which is distilled in their continuous stills. It is this spirit that caused an almighty row with the Scotch Whisky Association (SWA). Now, the SWA does an admirable job of policing whisky imports into the United Kingdom and makes sure that these whiskies are produced in-line with their regulations. Although the organisation has no legislative powers it has close links to the governments of both England and Scotland, and it is well versed in the dark arts of lobbying and can make life extremely difficult for those that cross it.

 

However, for all the good work that the SWA does, every now and then the organisation has what can only be called a monumental brain fart! Back in 2008 the distillery asked the SWA to consider a new whisky category for the 100% malted barley mash that it was distilling in its continuous stills. You would have thought that the SWA would have given this some deliberation and maybe asked for input from its members and the wider whisky community, but alas not. After about two weeks of this request sitting in someone’s in-tray the SWA decided that the distillation of a 100% malted barley mash in a continuous still could not be called malt whisky because this practice was not ‘traditional’. They went on to say that this form of distillate can only be called a ‘grain whisky’ but they would allow the distillery to state on the label that it had been made from 100% malted barley.

Dave Broom, in an article published on the Whisky Intelligence website in 2009 points out the huge flaws in the SWA’s arguments. He argued that this type of spirit, historically called a ‘silent malt’ was widely produced in Scotland in the 19th century. He claims that records show that it was made at grain distilleries such as Cameronbridge, Yoker and Glen Mavis. It was also produced at the North British distillery as late as the 1960’s.

 

Non scotch distillers making this form of spirit include Irish Distillers and Nikka in Japan. I would imagine that the reason this practice isn’t more widespread in Scotland is that barley is a lot more expensive than grains such as maize and wheat, which are ‘traditionally’ used for making grain whisky. However, what annoys me the most about the SWA’s intransigence is that they just didn’t listen. The Loch Lomond Distillery Company weren’t asking them to change their rules or definition of a Scottish malt whisky, we all know that a Scottish single malt whisky has to be produced from a mash of 100% malted barley, distilled in a ‘traditional’ copper pot still and aged for a minimum of three years in oak barrels. What they were asking for was the creation of a new category, such as a ‘Coffey Still Malt’ or a ‘Continuous Still Single Malt Whisky’ or at least the consideration of such a thing, but no, the SWA couldn’t even be bothered to give this any consideration whatsoever.

 

As far as I’m concerned, the SWA are using this idea of ‘tradition’ as a tool to suppress innovation in the Scotch whisky industry. I mean, what other reason could they have? Another case in point was the issue surrounding John Glazer’s custom built hybrid French/ American oak casks in 2005/6 for a botting Compass Box called Spice Tree. These casks were essentially American oak barrels which had the inner staves replaced with French oak staves. Now, there was nothing in the SWA’s rules to say that whisky couldn’t be matured in American or French oak, but because John Glazer thought outside of the box (sorry!) these hybrid casks were deemed un-traditional. Several years of wrangling ensued and finally a compromise was reached whereby Compass Box could use hybrid casks, but instead of having French oak inner staves, they were allowed to use French oak heads! Frankly, after all that you have to wonder what the point of this whole episode.

 

The SWA’s meddling in innovation doesn’t end there. In late 2019 it updated its list of casks that could be used for maturing or finishing whisky in. On the prescribed list were casks such as Bourbon, grape brandy (including Cognac and Armagnac), rum, fortified wine (including Sherry, Madeira, Port and Malaga), still wine and beer/ale casks. However, missing from the list are Cider and Calvados, to name two other oak matured products. The question is what makes ale casks traditional but not cider ones? One could argue that whole concept of traditional practice is somewhat fluid and in the case of the whisky industry and the casks used, necessity rather tradition was the mother of invention here.

 

Distilleries back in the Victorian times were magpies. Back then there was no such thing as wood management, it was a case of getting hold of whatever casks you could and with products like Cognac, Sherry and Port being shipped to the United Kingdom in barrels, there was a ready supply for the industry as soon as they had been emptied. I’m sure that distilleries also used casks from brewers, and I would suspect cider as well, because according to CAMRA, Scotland has a rich history of cider making and apparently large areas of Glasgow, such as the Gorbals, Goven and the Merchant City were once home to orchards. Merchant City was built on the site of a huge, old pear orchard, so they would probably have used ex-perry casks as well.

 

So, it seems to me that the SWA are re-interpreting the idea of ‘tradition’ in order to suit their own, innovation stifling rules. The SWA have gone on record to say that they are happy to work with any distiller if they wish to use a different wood type, but don’t expect them to let you call it a Single Malt Whisky. However, that raises another question in that; is it really an issue if your whisky isn’t called a Single Malt Whisky? If Loch Lomond chose to release this spirit as a 100% malted barley mash grain whisky or as a malt that isn’t actually a malt, then that would be a real unique selling point. Whether of course it tasted any good, of course is a complexly different question and leads me nicely into what does their spirit taste like?

 

Well, it can come across as a bit of a weird malt. I suppose a lot depends upon how much spirit distilled in the Loch Lomond stills are used in the bottling. Highly rectified spirits, such as triple distilled spirits tend to have a distinct strawberry mousse or rose petal-like character, which I believe is down to the alcohol/ ester pentyl nonanoate or a combination of nonanoates. Unfortunately, the distillery declined to give me the information about how much of this spirit goes into which bottling but, as I said it is usually quite noticeable. Throw a good slab of peat into the mix and it is truly odd, weird or intriguing (delete as appropriate!) just think of a peated Achentoshan and you won’t be far from reality. Putting aside the peat and weirdness the Loch Lomond spirit has a good weight and fruitiness, especially in the Loch Lomond bottling and a little lighter but more fragrant fruitiness in the Inchmurrin. So, in essence the distillery produces a bottling to cater for all tastes and therein lies the appeal of the quintessential Swiss army knife distillery!

 

(Images Copyright James Mortimer Photography and Loch Lomond Distillery)

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